Vijayanagara School of architecture
Vijayanagara Architecture:
Vijayanagara empire rose to power during 14th century and was the only Hindu kingdom in peninsular south India after the fall of great dynasties of south like Cholas, Pandyas, Hoysalas and Kakatiyas. Having stemmed from a multicultural region that had seen the rise and fall of many dynasties and home to so many different architectural styles, it was only natural that the Vijayanagara architecture combined the best of features of the above mentioned dynasties and further enhanced them to what historian Percy Brown terms as ‘supremely passionate flowering of Dravidian style’. Many magnificent temples adorn their once stellar but now ruined capital Vijayanagara (today’s Hampi) in Bellary district of Karanataka. More such temples are seen in the subsequent capitals of the kingdom at Penukonda, Chandragiri, Vellore and other places in the southern peninsula. As is amply clear from the architectural masterpieces of Vijayanagara dynasty that more places of worship were constructed during this period than during the rule of any previous dynasty in south India.
General Architectural Features of Vijayanagara architecture
- General Architectural Features of Vijayanagara architecture
- Construction of temple complexes instead of stand-alone temples.
- Major temples often had long bazar streets along the main approach road and also a pushkarni (stepped well) close by for the fetching water for various uses in temple activities.
- Addition of a kalyana mandapa to the newly built as well as existing temple complexes. Kalyana mandapas were vast halls with flat roofs and supported by a number of pillars. These halls were primarily used during annual festivities of marriage between the God and his consort.
- Presence of a separate Devi/Amman shrine - usually to the north-west of the garbhagriha of the main temple.
- Architectural hallmark of the Vijayanagara period is the various types of pillars used in their constructions. They used pillars such as double pillars, composite pillars, round pillars etc. most famous of these pillars being the musical pillars present in the temples of Hampi. The lathe pillars of the Hoysala dynasty were further improved upon
- Pushpapotika- the inverted lotus flower bud shaped pillar brackets are seen.
- Enhanced features on yali sculptures- mostly elephant faced and lion bodied mythical animals. A feature picked up from the Pallava dynasty which was not seen much during the Chola period (except for a few temples like Airavateswara at Darasuram) made a comeback in the Vijayanagara period temples but in a much more intricate and delicate avatar where riders are often shown controlling the rampant Yali standing over elephants/makara
- Introduction of horse pillars.
- Pillars with miniature shrines on them.
- Monolithic stone chains hanging from the ceiling. These fascinating stone rings can move freely even though the entire chain is made of a single stone.
- The Pallava and Chola style shikhara (the capstone above vimana) was replaced by wagon vauled shikharas above the vimana.
- Sculptured narrative panel of stories from Hindu mythology are seen on the temples’ external walls as well as pillars. Lord Hanuman is one of the most favorite subjects due to the belief that Hampi is the location of ancient Kishkindha kingdom of the monkeys (Vanaras) as mentioned in Hindu epic- Ramayana.
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